New York Times bestseller
An Entertainment Weekly Pick of the 40 Biggest Titles of the Season
A Paste Magazine Pick of Best Audiobooks of the Months
A USA Today Pick of Not-to-Miss Books
A Washington Post Pick for Best Books of November
A Vogue Pick of Books We Can't Wait to Read This Fall
A Cosmopolitan Pick of November's Best Books
An Amazon Editor’s Top Pick
A Bustle Pick of Books That Will Leave You Starstruck
A Bookpage Most Anticipated Book for Nonfiction
A November 2019 LibraryReads Pick
Step into Jenny Slate's wild, unfiltered imagination in this "magical" (Mindy Kaling), "delicious" (Amy Sedaris), and "poignant" (John Mulaney) collection about love, heartbreak, and being alive -- "this book is something new and wonderful" (George Saunders).
You may "know" Jenny Slate from her new Netflix special, "Stage Fright," or as the creator of Marcel the Shell, or as the star of "Obvious Child." But you don't really know Jenny Slate until
you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility. As
she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don't be immature). Heartbreak, confusion, and
misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any
time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it
back out into the bright day with us, and everything has changed.
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